Coming to theaters during a summer overstuffed with sequels to big movie franchises, reboots to past successes with built-in fanbases, and potential blockbusters based on pre-existing properties from other media, Terrence Malick’s The Tree of Life is nothing less than a godsend for movie lovers. A work of sheer originality and cinematic virtuosity, it attempts to inspect all of existence and humanity’s place within the awe-inspiring cosmos–and brilliantly boils it all down into one immensely perceptive family drama.

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Terrence Malick’s long-awaited wank-a-thon Tree of Life has been in select theaters for a few weeks now and will be getting a nationwide boost on July 8. As I’m writing this it’s 86% fresh on Rotten Tomatoes. I saw it last Sunday and while I thought it was a stunning visual orgy, it didn’t really do much else for me. Especially Sean Penn. He’s one of my favorite dudes ever but his bits in the movie were pointless and his whole beach scene near the end is by far the cheesiest scene of 2011.

I’m not here to knock the enigmatic Malick or his new movie though. You should go see it in the theater if you have the chance. You’ll never see another film like it, that’s a Malick guarantee! But the movie got me and my girl thinking about another film. A similar yet superior film from a decade ago: Frailty. Directed by Bill Goddamn Paxton and written by Brent Hanley (who wrote the “Family” episode of Masters of Horror), Frailty is a southern-fried gothic thriller in which a fanatic father (Paxton) has visions that drive him to seek and kill “demons,” bringing his two young sons along for the ride. I admit, comparing these two films is like trying to draw concrete comparisons between The Wire and Everybody Loves Raymond, but Malick and Paxton’s tales of the south have more in common than you think. I might even smell some plagiarism…

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