There’s been some ambiguity when it comes to reboots lately. Marc Webb’s Spider-Man is sort of one, maybe. The just announced David Slade-helmed Daredevil isn’t one. Or maybe it is. There’s one flick that is no longer in question, and that is Zack Snyder’s Superman. This son of a bitch is a clean reboot. Thank the Maker.

Read the rest of this entry »

Twenty-three days into the OCTOBERFEAST and things are getting kooky. Damn kooky. We’ve worshipped Lucifer, munched on cereal, and even hung out with apes. These are strange, horrifying days and they’re only becoming more wonderfully shocking. Sometimes it seems as though OCTOBERFEAST is an alternate dimension of its own.

Anyone who reads comic books or science fiction realizes that our reality is but one of many, a single chapter in book known as the multiverse. There have been countless depictions of realities other than the one to which we are accustomed, and they usually illustrate the idea that some essential quality has been altered. Of course, this makes for great narratives as it encourages the reader/viewer/listener to consider the grand What If?’s in life.

In the late 1950’s, this concept of disregarding standards and questioning society-at-large was the basis behind one of American television’s greatest products — The Twilight Zone. This televised anthology blew minds away every week with unusual stories and narrative twists that defied cookie-cutter formulas. In creator Rod Serling’s words, The Twilight Zone is “A series for the storyteller.”

Serling and his creative team (which sometimes included Ray fuckin’ Bradbury, if you’re still a doubter) seamlessly blended science fiction, horror, westerns, literary classics and comedy into compelling tales of the human condition.   Despite their drastic variances, each episode effectively acts as a parable or revelation.

As these ideas are defiant of those found in most television, The Twilight Zone did itself the favor of including an introductory warning. As seen in the first season,

There is a fifth dimension, beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man’s fears and the summit of his knowledge. This is the dimension of imagination. It is an area which we call the Twilight Zone.

Admittedly, I haven’t seen every episode of The Twilight Zone nor can I claim to have an intense knowledge of the show’s history. But any time that I catch an episode on the Sci-Fi Channel (oh shit, I guess I mean SyFy) I find myself positively captivated. It is a terrific program and I find that even some of the shows I truly love (*cough*LOST*cough*) are doing their best to hit the high-water mark set fifty years ago.

Granted, this may be one of the most popular and referenced episodes of the series — so I can’t necessarily defend myself against arguments of That shit is played out. But with Richard Donner behind the camera and the all-mighty Shatner in front, Nightmare at 20,000 Feet deserves the status of goddamn classic.