This is a finding that’s bound to give Rendar a purple-headed priapism for at least  a day.  Rafael Grampa did himself a take on Mr. Wayne-Bat, and it’s goddamn glorious.

Hit the jump to check it out.

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Spark a cigarette and pour a drink – you’ve made it home after the first day of the workweek! Congratulations! You’ve only got to get through that 9-5 shitstorm four more times until the weekend! And from there it’s only a few more decades before you either retire into poverty or die! Ta-dah!

Fugg that, son. Life’s a glorious experiment, so let’s dance in the laboratory and smash some beakers! This here’s the MONDAY MORNING COMMUTE, a weekly post dedicated to combating ennui. If you fear that you’re becoming one of the flesh-and-blood automatons that chokes Wonder to death, hop into this refugee-camp. I’m going to show you what I’m doing to destroy apathy.

If you’re daring, you’ll hit up the comments section and do the same.

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Rafael Grampa is a gahdamn stud. While he hasn’t had too many releases in the States, the shit that has dropped has been spectacular, astonishing, amazing, sensational, fantastic, and uncanny (hrm…I can’t think of any DC titles with modifiers).

This trend looks to continue with Strange Tales 2. Grampá describes his contribution to the anthology in the following terms:

Here is two of the eight page story that I did for the Marvel’s anthology STRANGE TALES II. It is the main story of VOL. II and I have to say that I’m really proud of it. I did the script, art and colors — a tentative for a new vision for the palette of the 80′s comics. It is a “mutant wrestler” story (could be cool if it was a genre, huh?), very violent and “sweet” at the same time.

[Furrywater]

Strange Tales 2 hits stores 10/13/2010.

This is apparently old news, but worth mentioning; Rafael Grampa is contributing to Marvel’s Strange Tales Volume 2.

Furrywater:

Marvel invited me to create the main story of the second volume of this amazing project in Nov 2009. Jody Leheup, Strange Tales editor, said that I could choose any Marvel character to make the story. I thought a lot and I choose Wolverine. But, wait, don’t judge my decision before read the story. I promise for all the fans that my vision of Wolverine is totally different! My story is about the Wolverine that I would like to read. Wolverine was my favorite super hero when a was a kid, so it was my chance to put my hands on him and make something different.

Rafael Grampa is the real fuggin’ deal. Check out the full cover and be wowie-zowied.

I understand that OL suffers from a lack of patronage on the Sabbath. But I just want to offer an early reminder to those who are stumbling their way around the site: Rafael Grampá’s Mesmo Delivery is being (re)released this Wednesday.

As a proud owner of an AdHouse Books’ edition, I can attest that Mesmo Delivery is the real fucking deal. In just under fifty pages, Grampá demonstrates a mastery of the comics medium that others spend thousands of pages striving for. As an artist, he tempers the putrid and violent with an appealing cartoon sensibility. Or perhaps he understands that the reader will feel at ease with the spiritually-Nickelodeon images, thus amplifying the effect of decapitations and pants-pissings.

Again, I won’t harp right now. Between my previous feature, the upcoming Variant Covers and my probable feature for this week’s Images & Words, Rafael Grampá is bound to have some solid real estate at OL. Just make sure you buy this book — in addition to the novella, Dark Horse is tossing in some bonus shit as well. Summarily, there’s no reason to not support this rising star.

In addition to the twist conclusion of Ed Brubaker’s entire run, Daredevil #500 features an addendum that happens to bring with it a hope for tomorrow. More precisely, the pin-up section includes a piece by Rafael Grampa that can only be described as fucking amazing.

Grampa’s Daredevil (pictured above) is both refreshing and reverent — the old yellow/red costume has never looked more vibrant or alive, full of that indefinable essence that readers perceive as artistic enthusiasm.

Staring at the pin-up for quite some time, I became enamored with its realistic depiction of Matthew Murdock. Although much more impressive than my scrawny frame, the physique of this Daredevil appears to be no greater than that of any modern mixed-martial artist. Furthermore, the bootlaces, shirt, leather straps and boxing gloves summon the same spirit Paul Pope conjured for Batman Year 100, the notion that maybe, just maybe, superheroes could exist.

Having never heard of Rafael Grampa, I decided to find out for myself whether he was just a rip-off artist of Paul Pope (of whom I have invested much of my fanboy stock) or a legitimate talent. After making my way to his blog, I am now ruling in favor of the latter.

Rafael Grampa, which (according to my nonexistent understanding of Portuguese) roughly translates to Raphael Grandfather, is apparently quite the sensation in Brazil. He is a well-known graphic artist, designing not only comics but t-shirts, animations, toys, and even concepts for ESPN ads. The man even has a column at the website for MTV Brasil, which I would check out if English weren’t my only language.

So once I understood Grampa to be a respected (rising) star of sequential art, I made the egregious mistake of wondering, “What other superheroes can he draw?!?!” It didn’t take me long to find this:

In my estimation, that is a sick Batman and an even better Robin. I really love the over-sized mask and the band-aid on Robin, adding an element of youthful inexperience which is generally overlooked. Again, this style does have a tinge of Pulphope in it, but not to the point that accusations should be flung.

With my urges to see men in tights and capes subsided, I was able to look into the Grampa’s more substantial work. As I discovered shortly thereafter, Rafael Grampa created 2008’s Mesmo Delivery, which tells the tale of an ex-boxer turned transporter and is tinged with a Twilight Zone otherworldliness. The one-shot has received crazy critical acclaim and is actually sold out. This puts me in a shitty situation, as I can either wait until Dark Horse reprints it next year or shell out some serious cash. I’ll probably suck it up and spend the money now, as I can’t stop looking at whatever previews/teasers I can find:

Deep down, I really hope that Rafael Grampa does whatever it is that he finds artistically fulfilling. But I’d be hard-pressed to deny the appeal of that Daredevil pin-up. In my ideal world, he’ll do what a lot of artists find themselves doing — both the artsy stuff and the commercial properties (which pay the bills). It is my belief that when genuinely talented creators put fresh spins on the dependable franchises, the readers finally get to see their favorite characters elevated (if only for a brief period) to higher strata.

Here’s to hoping Rafael Grampa sticks around to help us get to those upper echelons.