There’s no denyin’ that some creators are only interested in treadin’ water.

Once a successful formula has been stumbled upon – whether it’s a character arc, chord progression, or secret ingredient – it’s relied upon indefinitely. To some minds, there’s simply nothing wrong with rehashin’ the same material over and over and over again. In fact, some creators suggest that to stray too far from the tried and true is to do a great disservice, that the fans’re expectin’ something that resembles the work with which they originally fell in love.

These sorts of creative types grow like weeds in the comic book community. Think of how many careers have been made on the backs of characters created in previous decades. Again, some culpability may rest in the readership, which devours comics more for its comfort-food properties than its potential for innovation. But at the root of this issue is that there’s no shortage of creators who only want to relive past glories.

Fortunately, there’s always Warren Ellis.

Warren Ellis has the reputation of being a mind-pilot who of self-navigates the course of his own career. In addition to penning some of the most aspirational pieces in the comics medium (Planetary is just one example) and presaging scientific innovation (Spider Jerusalem was rockin’ Google Glass back in `97), Ellis has always made a point to explore other media forms. Most notably, Ellis has followed paths that have led to essays, novels, and television projects.

With this week’s release of Dead Pig Collector, Warren Ellis has given zero fucks unrelated to forward-thinking.

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Views From The Space-Ship, aka Desktop Tuesdays, aka Desktop Thursdays is a (theoretically) weekly column where I show you my worlds. Share your own in the comments section!

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With the news trickling out that Warner Brothers is losing the rights to key ingredients of the Superman formula, I began contemplating what exactly comprises Superman. I was taking this into consideration alongside the recent developments where protégés began donning the mantle of their fallen Jedi Masters and shit. You have Dick Grayson traipsing about as Batman. And at least for a new months, you got Bucky running around as Captain America.

So I got to thinking. It was bothering me. On the toilet. In bed. In the shower. I asked myself, what is the essence of Superman? Does he exist outside of the tenants of his history? Is the soul of Superman tied into Krypton, into the Lois Lane/Clark/Superman love triangle? Can you have a Superman that isn’t from Krypton? What defines Superman as Superman, and furthermore, does it even matter? Can the term stand for multiple things, for different creators?

I don’t have any answers, but I think it’s a worthy examination.

Let’s kick it by taking on Dick Grayson and Bucky Barnes. When DC was contemplating killing off Batman, the general shtick was this: Batman was more than a man, he was a symbol. Even if an Uber Alien Bullet vaporized Bruce Wayne, Grayson could continue to carry on what he stood for. Same thing goes for Bucky. Maybe Captain America got his ass seriously capped on some court steps. But he had someone else to pick up the job. Albeit with a sweet metallic arm, but still, there was someone else to pick up the job.

However, both instances were circumstances different than what is currently going on with good ole’ Clark Kent. How so? Well for starters, we’re talking about a world without Clark Kent. Warner Brothers, if I am understanding correctly, is losing the rights to that very name.

Let’s call Bucky and Dick “The Replacements” throughout the rest of this article for ease of statement.

When The Replacements stepped into the costumes, they were inheriting mantles. Bucky wasn’t redefining a symbol. Rather, he was reinterpreting it.   The Replacements ran parallel to the fallen dudes they were replacing. All of their experiences in assuming the roles were predicated on the conscious fact that they were replacing someone, and what their predecessor stood for.

How many times did something along the lines of this came up:

Oh well Bruce/Steve wouldn’t have wanted me to do this, blah blah.

The idea that Captain America is a symbol, at least currently in the Marvel universe, stems from the fact that there was someone to define this symbol prior to Bucky.

There was these two parallel constructions: What Batman/Captain America stood for, and what The Replacements did by assuming this symbol. Not by defining it.

So I began to ask, what if you removed the initial construction, the defining of the symbol prior to the assumption of the mantle?

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