#January2012
Monday Morning Commute: An Accident of Birth
Today is January 2nd, the nightcap on what is typically thought of as the holiday season. The wrapping paper’s been discarded, the ornaments have been put back in the box, and Uncle Bosco’s been evicted from his spot on the couch. This our last chance to sample the holiday pastries before their thrown out, to empty the champagne bottles into our guts when no one’s looking, and to lounge around in sweatpants without worrying about judgment.
This is a glorious day.
I’m doing my best to revel in this final moment of jubilation, as I know that when tomorrow hits I’m going to be a miserable bastard. I don’t hate my job, but it’s incredibly time consuming and I often find myself dreaming of finding a job that’s less demanding, even if that’s synonymous with less lucrative. Which is kind of insane, because I don’t exactly make mad cheddy-donkies right now.
I know I’m not alone.
And thus, I present the MONDAY MORNING COMMUTE! This is OL’s weekly 9-5ers Anthem, the spot where we share our strategies for surviving the workweek. After you check out the various bits of entertainment I’ll be using to salvage my sanity, hit up the comments section and show off your wares.
Let’s do this.
OCTOBERFEAST – The Number of the Beast
The OCTOBERFEAST has proven to be a true labor of love. When I created the general outline I had no clue that I would find myself so bitterly conflicted about some of the specific details. Looking towards today’s post, I was at a loss. Perhaps I had originally left my schedule partially incomplete with the faith of later discovering a naturally fitting entry. I couldn’t help but feel my stomach bottom out when I looked at the calendar and saw:
October 8th — Iron Maiden — (Figure out song later).
Fuck.
I find it foolish to argue against the notion that Iron Maiden is the most legendary of active metal bands. With a career spanning over thirty years, one would expect them to be mere shadows of their former selves. Not the case. Unlike Metallica, Iron Maiden can still put on a live performance without butchering the songs or relying on theatrics. And while Maiden’s recent studio albums aren’t their best efforts, they’re hardly the self-parodies of which Megadeth seems so fond. These are old dudes that can still actually lay it down.
With an enormous repertoire — fifteen studio albums — how can I choose one song for Omega-Level’s seasonal celebration? Thematically, the occult is embedded into almost every single piece of Iron Maiden’s catalogue. Therefore, the inclusion of any one track necessarily results in the exclusion of all sorts of songs about demons and pharaohs and warlords (Oh My!). Simply put, the task at hand is daunting.
But I’m no sissy — I’m the Grand Admiral of OCTOBERFEAST! And this means that I’m the guy who has to make the tough decisions. So here we go. Even though almost any track could fit, I think that one of Iron Maiden’s songs works especially well:
The Number of the Beast
Sharing its name with the album on which Bruce Dickinson made his debut. The Number of the Beast is one of Iron Maiden’s most recognizable hymns. Iron Maiden create more of an epic journey in Beast’s five minutes than many bands could manage in twenty. The band delivers a haunting introduction, soaring melodies, Harris’ signature bass lines and the breathtaking vocals for which all of Brazil would scream. Musically, The Number of the Beast is the ideal towards which all rockers strive.
More importantly, The Number of the Beast is a perfect anthem for Hallow’s Eve. Before any music starts, the listener is treated to a ghoulish voice announcing —
Woe to you, Oh Earth and Sea
For the Devil sends the
Beast with wrath, because he knows the time is short…
Let him who hath understanding reckon the number of the Beast for it is a human number —Its number is six hundred and sixty six.
Every time that I hear that, I begin to think that I should forfeit agnosticism and begin worshipping Satan.
Once the song kicks in, Dickinson sings us through hellish landscapes and evil intentions. The chorus (which plays great live as a sing-a-long) screams “666 — The number of the Beast // 666 — the one for you and me!”
You should check out the music video. It is a seriously awesome combination of performance, clips from cheesy horror movies and an appearance by Eddie!