A couple weeks ago I sat down with a comic called A.K.A., fully intending to just read the first issue in the collection. Before I knew it, an hour had passed and final panels of the book were quickly transforming from mysteries into memories. What was it that inspired me to keep readin’, ignorin’ the ringin’ phone and the frantic cries of the mailman outside my window to save him from the vocal veteran’s rabid mailman?

Pure comics bad-assery.

A.K.A. is a perfect throwback to those golden years when mawkish snooze fests hopin’ to snag Oscars weren’t the only films considered high-quality. No, this comic summons the spirits of the 1970s exploitation flicks that taught moviegoers the value of flawed heroes, babes with dangerous measurements, and gratuitous violence. As the (anti)hero of A.K.A., Guy Doyle navigates his way through these elements, in the process teaching the reader how to revel in the chaos of a mob war.

So won over was my heart that I decided to reach out to Steven Walters, the man responsible for penning this tasteful tale of tawdry turmoil. Walters proved to be incredibly gracious, answering each of my questions with vigor and poise. Which was reassuring, as many of his characters are less gracious and more bloodthirsty.

Hit the jump to check out what Walters’ thoughts on the comics medium, exploitation films, and the quest of artistic expression.

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